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Quand il n'est pas collé à son petit écran
now recognised as a cornerstone in the Garage and Grime scenes
Jean Dieuzaide
where hope feels too fragile to grasp
offering a warm collection of happy dishes
Passports 2012–2025 pierre-douillard-lefevre Quand il n'est pas colléPassports 20122025 presents an intimate body of work by Keisha Scarville taken from an ongoing series centred around her fathers earliest passport photograph. The artist has reinterpreted the photograph over three hundred times to date, each iteration reworked and collaged with varying materials and found imagery paints, beads, photograph fragments of Black bodies, gold leaf, glitter to form a deeply textured act of photomontage. Interwoven with the
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