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The hybrid identities she was forced to embody seeped into her poetry
” —Brion Gysin
' we're told early on in this disarming
translated by Lindsay Turner
its music of alterity holding a delightful cultivation of flown that we can ground in
Property Journal Hardly War The hybrid identities she wasAmy Ching Yan Lam From December 2021 to December 2022, artist and writer Amy Ching Yan Lam kept a record of each time real estate, property or housing came up in conversation. She called this the Property Journal. Over the course of a year, neighborhood landmarks are demolished, politicians break promises, friends despair, and parents age. Mold appears to grow on Lams face moisturizer; as property organizes peoples lives, it also overtakes them. What